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Showing posts with label Cosette's Tribe. Show all posts
Showing posts with label Cosette's Tribe. Show all posts

Sunday, June 21, 2015

A Romantic Rumor


I grew up with a diaphanous father who floated above me like a caption bubble saying, “?”.

He was a romantic rumor, a previous chapter in my mother’s book of life, leaving behind no photos for his three little girls to frame and fawn over. There would be no frame hugging in this family. No searching his dark eyes for our own, or comparing the curve of our noses to his; no joy of discovering a trace of ourselves in his image, thus… answering our desperate curiosity. The only evidence of his existence was our existence.

My dad was an old movie reel flickering in my mind, with imaginary memories, conjured by a credulous child, intoxicated with prime time fathers, and aching for paternal adoration.

I was always comparing my invisible father to the other girls’ dads, which never worked out well for me. I suffered like an amputee with an inflamed phantom limb… finding no possible way to soothe it.

I felt that I had been gypped by life; everybody that I knew had two parents, but I only had one. I assumed that I was somehow to blame for my father’s absence, after all I was little girl number three, and in my little girl mind I thought that he was tired of daughters. I envisioned him throwing his arms up in defeat when I was born, and tromping off to find another family where he could have his very own little boy. Of course all of this was nonsense, but the actual reasons for him leaving were incredibly complicated; certainly nothing a mere child could possibly comprehend.

Father’s Day continues to be a holiday that I view from afar, like witnessing the customs of a foreign country. There is still an empty seat at the head of my childhood table, and a little girl waiting wistfully by the darkened window. She knows that he isn’t returning, but she’s found nothing else that could take his place.

Appreciate every moment that you have with your dad. Hug him, tell him you love him, and do nice things for him, for there are many children, both old and young, who have never experienced a fathers’ love and the joy and security that it offers.

For those of you who have known the void of a fatherless childhood, my message to you is this: Accept the vacancy in your heart as part of yourself; offer it honor and appreciation. You are the incredible person that you are, because of that vacuum. You have had to find your identity independent of a father’s influence. You have had to be brave and resilient during hard times, when a strong hand wasn’t there to guide you…or hold you.

Be proud of who you are, and of the family that you have…that coalition of love that worked doubly hard in order to fill in the gap left by your father. And remember, love is love, whether it comes from a male or a female, it doesn't matter because it comes from one source and will never leave you or be depleted. Love holds all things together.


This is a re-run of an old post, dedicated to those who never got to celebrate this day.

Thursday, March 19, 2015

An Enlightening Interview


Art by Leah Griffith

Laine Cunningham, author, professional editor, and winner of five international awards for fiction and nonfiction, took the time to interview me about the writing of my novel, Cosette's Tribe. It turned out to be an experience I thoroughly enjoyed. Thanks so much for making me feel so at home, Laine.

Please find the interview below. I hope you enjoy the exchange.

LC: Leah Griffith is the award-winning author of Cosette’s Tribe (review here). She joins us today for a few questions about her writing process, her books, and her inspiration.

LC: When did you begin writing?
LG: I was in my late teens when I began writing. I felt a push within, something deep and soulful trying to find a mode of expression. In the early years my writing took on more of a spiritual nature. This type of writing has always helped me to remember how to breathe. In my twenties I began writing short stories and essays.

My mother was an avid reader, and shared her love for great literature with us children. When she was carrying me, she was reading Victor Hugo’s Les Miserable`s, and fell in love with young Cosette. Consequently she chose that as my middle name. As a kid I hated the name but after reading Les Miserable`s myself, I became proud to have the name and delighted to name my protagonist Cosette.

LC: Cosette's Tribe is somewhat autobiographical. What drew you to writing about certain times in your life?
LG: I’ve always felt the urge to write about my life in hopes that I could recycle my pain and use it to help others. This sort of powerful exchange helps me to remain a victor rather than a victim.

My life so far can be divided into three parts. Early childhood, ages 1-4: these were the magical years before the first sexual assault took place. During that phase I felt connected to unconditional love, and still possessed the lighthearted twirl of being a little girl. Ages 4-14 were a belly crawl through impossible situations. These were the years of abuse, where shame kept me isolated from “…everything nice.”

And 12 through today: these have been the messy years…and the best of years. It has been a time of getting up and getting up and getting up again, and feeling the generous healing power of my fall downs. These have been the years of sunny ah-has and moody reflections, illuminating all that I believe in and discovering that my little girl dreams could still be found optimistically tucked between bravery and forgiveness.

LC: Tell us about the second book you’re working on.
LG: My latest novel is a continuation of Cosette’s Tribe. In book two, we find 14 year-old Cosette still living at home with her mother and sexually abusive stepfather Ken. Although Cosette was able to put an end to Ken’s advances a couple of years before, she now faces his vindictive side where Ken’s main form of entertainment is how to make Cosette suffer for rejecting him. Cosette continues to search for purpose as she follows a pale stream of hope into the future.

Cosette’s mother remains clueless about the past sexual abuse and spends most of her time playing referee between Cosette and Ken. But Cosette has more sinister foes to face; enemies of her own making, for the escape route she chooses from her unhappy childhood could shatter her young life in an instant.

I’m aiming for a launch of book two (still untitled) in the spring of 2016.

LC: Meanwhile, you can read more from Leah at her blog Truth From The Booth or her other blog Eating Life Raw.

LC: What do you hope readers experience while reading your books? What do you hope they take away?
LG: It took me years to find the courage to write Cosette’s Tribe because of the personal nature of the story. Presenting my novel as a work of fiction created a cushion for me, providing just enough space between myself and the story, which was sorely needed. My hope was that my words would inspire readers to get back up after they’ve been knocked down, no matter what their struggles are. I want to encourage readers to trust life and embrace their own stories, perhaps discovering that it takes a certain amount of light to cast a shadow, and ironically, it’s that light which moves us beyond our pain.

As a woman I found creating this work incredibly empowering. It helped to move me from the space of a silent victim into the place of a vocal victor. It’s a mighty feeling to take part in one’s own redemption…to be your own hero.

LC: Connect with Leah on Facebook.

LC: Tell us about any awards or honors you’ve received as an author. What did those honors mean to you as an artist?
LG: Cosette’s Tribe is a self-published work, which means that it’s up to me to market and sell my precious story. Although I’m a bit shy and I should probably push a lot harder with the marketing of my novel, Cosette’s Tribe is not without awards and honors. Cosette’s Tribe was the first place winner of the 2011 Laine Cunningham, New Novel Award present by The Blotter Magazine. As a new author this was thrilling for me. After all, this wasn’t family and friends praising me, it was my peers, and it meant the world to me, as did the fat check and prizes they gave me.

Cosette’s Tribe took first place for both Best Novel and Mainstream Fiction in the 2013 eFestival of Words Best of the Independent eBooks Awards. Cosette’s Tribe was also chosen by Florida Weekly’s book reviewer Phil Jason as one of his favorites for 2012. Of course my biggest reward has been the overwhelmingly positive response from my readers.

LC: Find Leah’s book trailer and website at www.leahgriffith.com.

LC: Cosette is told from an intimate viewpoint of a young girl. How did this present challenges to your prose? How did you overcome those challenges?
LG: The language I chose to use while writing Cosette’s Tribe was a challenge. I had to “Be the kid” in order to write the kid. I kept things simple using the pure language of childhood when creating metaphors and expressions. Sometimes it became very difficult when describing scenes of a sexual nature, requiring me to enter and feel the darkness of a situation anew.

Writing Cosette’s Tribe was a work of bravery requiring me to look at my childhood with both eyes open. This is how I discovered the light in my childhood, which was there all along. I just never noticed it because of the trauma I endured. It was the surprise of seeing this happy light that kept me writing, and it is this same generous light that I hope to share with my readers.

LC: Describe your writing space.
LG: My writing space is wherever I can open my laptop and type. I wrote most of Cosette’s Tribe on an ancient IBM laptop facing a blank wall at work. Today, I write from half a tiny booth in my kitchen. My husband Mike uses the other half to run his online business. Our booth is the only working space in the 350 square-foot trailer that we share with Duchess, our tiny dog. I also do my artwork from the booth. Virginia Woolfe would be appalled.


The Booth

Little Dog

Friday, February 13, 2015

Cursing Louder Than a Northern Gale

I was directed to write a love letter to myself by my wildly loving friend, J Clement Wall. My initial thought was “how romantic, a love letter to Leah”. But then I felt the unction of resistance, that inner speed bump, which slows down forward motion, and I knew that I wouldn’t write the letter because it required a generous portion of bigness toward one’s self that I was pretty sure I didn’t possess. So I put off the assignment indefinitely.

As it turns out, I have a stack of untouched assignments issued by homespun sages, and as much as I admire these gentle troubadours, I sometimes feel a bit of intimidation by their bright-eyed bullet lists containing the secrets of life from the lates and the greats. I’m cynical of their pastel outlooks, such Monet hearts, and then there’s mine, mucked up and muddy from all my fall downs, tramping along with my broken toe cursing louder than a northern gale, measuring myself against all that isn’t me and feeling the small of it.

It’s the familiar cycle of self abandonment

that I move in and out of

and it hurts more than the toe, or the stretch and yawn into each long day, because I’m not really here. I’m not anywhere. I’m tucked away within the folds of forgetfulness, waiting for the courage to fly back to myself.

So, I’ve decided to go ahead and write that love letter because I could really use one right now, and with Valentine’s Day nearing I figured what a perfect set up for me-mance.

Yes, this is for me.

So here goes.

My Dearest Self,
First I’d like to say that I feel I owe you an enormous apology. I’m sorry for abandoning you when you were a little girl and that you've had to struggle with this self-abandonment issue your entire life. I underestimated the powerful connection between you and you--that big U within. I left you fluttering like a baby moth, banging into the low glow of this shabby world, and injuring your delicate wings. My looking away cost you your ability to fly, and forced you to walk barefoot across the dirty asphalt of your childhood. I wish I could have remembered who you were back then, but the pain was real, and the darkness of the journey unexpected.

You were a real hero (although you didn’t realize it). No matter how many times you got knocked down, you found a way to get back onto your feet. You faced the unlovely with an open heart, and even forgave the ones with weapons. You remained kind, which is the best type of miracle of all, offering what little you had to those who had less. If only you had offered the same generous love to yourself. I see now that it was your mother’s gift for alchemy that helped to cultivate your richness of soul. She was also a hero, but like you, she never learned to spread her wings.

You still are my hero.

I need to tell you how much I love you, and even though I sometimes pick on you, and underestimate your talents, I never doubt your ability to do great loving things.

Since you were a child you’ve desired a slow-dance intimacy with life, seeking a love powerful enough to lift you into the heavens where the stars sparkle with joy at the sight of you. My wish for you is the redemption of this divine romance--that you lose your cynicism, and look within, where you will discover that the one who steals your breath away with each kiss is always present…always you.

I wish for you to uncover the treasure of unconditioned authenticity; the putting away of the measuring stick, the better and worse, and see that every inch of you is the perfect “enough”.

I wish for you to step out of the tiny--that box, which was designed by your fears, and realize the dreams that have been nesting in your heart, those golden eggs you’ve been tending for years, are about ready to hatch.

And finally, I wish for you to never forget who you really are…
that you were created from stardust and love
believe the rumors of your greatness--and how much I absolutely adore you.

Happy Valentine’s Day,

Love,
Leah

Monday, December 1, 2014

Perfectionism Triggers Apocalyptic Melt Downs

The Booth
I’m a perfectionist. I used to believe that the badge of a perfectionist should be worn on the outside of the jacket; after all, perfection is the highest rung on the behavioral ladder, the blue ribbon of attributes, and the ideal to strive for. At least that’s what I believed. Yeah, what a crock of steaming you know what. Perfectionism is a disease like alcoholism, Tourette’s and pink eye. It’s a maniacal malady, which manufactures mirages, and measures mankind. God that felt good. And you know what else feels fricken good—letting go of perfectionism. Firing the police of people pleasing, the Nazi of not good enough, the shaman of shame. That felt good too.

Living, and running the family business from this tiny trailer, is an exercise in imustbenuts, for my first nature is to produce an aesthetically pleasing environment. Well, that lasted for about a day. It’s like trying to keep a white tablecloth clean at a pie-eating contest. So I choose not to drive myself, or, Mike, insane trying to keep up with that expectation. If I’m going to keep my sanity I’m going to have to go with the cluttered flow, and stop judging myself, and Mike, for the mess.

I’m also an idealist, which I believe is prerequisite for becoming a perfectionist. I get an image in my head of what something SHOULD look like, and then I go for it. I have images for everything, including people and food, and when something does not live up to the image that I created in my sick little mind I become unhappy. At least I see this now. For years I hated myself for so many things, but mostly for not being quite up to par.

So I’m probably living in this tiny trailer so I’ll learn how to appreciate the important things in life like love, truth, joy, and gratitude—things with real value that won’t burn up should an apocalyptic event occur.

Living here isn’t so bad. I actually appreciate some things about it—if I allow myself. I love that when I sit at the booth sometimes the squirrels will sit on the privacy fence, which hugs the trailer, and look directly in my window at me. They’re so close that I could count their whiskers. I love the canopy of tropical vegetation, which shades the courtyard on hot afternoons and dapples the ground with buttery drips of sunshine, and the urgent cries of the hawk, which wake me each morning inspiring the notion that each day is important. I adore Deja, the landlord’s Rottweiler, who stops by for a snack and a nap, snuggled in beside Little Dog, at the base of the booth, warming my feet as I work. And then there are the numerous fruit trees, bowing low with juiciness. Boy, I could wax poetic over some of the things here…there’s Duck Duck, the guard duck, who acts like she doesn’t like me, but lately I’ve noticed her quack softening when I walk by, and the tree house, which I’ve yet to christen, but I’ve purchased some rope so I can hoist my laptop and coffee up, leaving my hands free to help me climb the steep stairway.

Then there’s the blessed privacy from the world. Sometimes I can hear it out there, rumbling beyond the jungle walls, but if I pretend a bit, it’s easy to convince myself that I live on a tropical island inhabited by me and Mike, and a few friendly natives.

Yes, if I don’t listen to the stories in my head created by my neurotic perfectionist alter ego, about how a woman of a certain age should have more and be more, I could find it easy to enjoy this very simple life style.

My mother used to say to me, “Leah, you wouldn’t know what was good for you if it landed on your nose.” Well, Ma, I think I’m learning.

Wednesday, January 1, 2014

2014, Come as You Are.

I thought the year 2012 would kill me, but I made it through, entering 2013 with steady eyes and heightened expectations—silly silly girl. Turns out 2013 had its own plans for Leah, taking the opportunity to teach me some real stunners. I’m not talking cliché quips, or token phrases, but cut out my heart and run over it truths.

The greatest lessons I learned were that I create my own suffering by resisting “what is”, because neither life, nor loved ones, are required to behave the way that I expect them to, and that by trying to change them into something they are not, I am in essence rejecting them.

I’ve learned that without acceptance it is impossible to offer unconditional love, leaving me with nothing left to give but the tawdry offerings of love’s counterfeit—the affections of my demanding and judgmental ego.

It was time for me to drop the belief that I was separate from everything and that in order to live a happy life; I had to protect, promote, and preserve “me”. This belief only perpetuated my self-induced sufferings.

These are epic lessons—ones I’ve yet to master, but I will (for the most part;) do my best to practice them each moment that I’m alive.

Thank you 2013. You were relentless in your lessons, but I know that I needed a good ass whooping to help me get unstuck. I am seriously grateful that you loved me enough to teach me…now get the hell out of here!

2014, I humbly invite you to come as you are.

Thursday, December 12, 2013

Last Minute Tree

Art by: Leah Griffith

Last Minute Tree
By: Leah Griffith

I was about eleven when Alberta Hazard, took me along to help her buy a Christmas tree. It was the night before Christmas, pretty late to be buying a tree, but I was excited to go. This would be my first time breaking away from the nest and seeing how other people did Christmas—discovering that our family wasn’t the center of the holiday universe.

Although only eleven, I was Alberta and Rob’s babysitter, and a good one at that. I was old for my age, having no choice but to grow up quickly because of a complicated home life.

The Hazard’s had five kids back in the day when that was considered an average sized litter. They weren’t your conventional family. They had a fully stocked bar that took up their entire dining room and they kept a vicious Doberman named, Ranger, chained up in the kitchen. The children were well behaved, but who wouldn’t be with parents as stern as Alberta and Rob. They were whiskey serious—you could smell it each time they spoke.

Behind the bar Rob kept a leather strap hanging in full sight. The kids said it looked like a long black tongue waiting to give them a licking. It did. I felt bad for the Hazard kids. Their parents were mean, their dog was mean, and they spent most of their little lives on full alert—like deer sensing danger, tiptoeing around, trying not to piss off Rob, Alberta, or the dog.

When Alberta and Rob would leave for the evening, I’d spoil the kids, giving them “horsey” rides, sharing my snacks, and letting them choose which TV shows we watched. They loved the fun, and I felt like a mini god exercising my power of good over evil. That’s why I was excited to be able to have some say in what kind of Christmas tree they had. Their last year’s tree had been a boney disappointment.

Alberta wasn’t a big talker so we walked in silence, leaving me to watch the snow fall and wonder how something so delicate could make such hard crunching noises under my boots.

The guy selling trees was bundled up against wind, standing under a streetlight chewing on a cigar. Alberta spoke first, “Where do you keep the cheap trees?” Her words sounded crude, absent of holiday manners. Mr. Cigar was just as bad, not bothering to answer, but simply nodding his head, directing us to a dark corner where skinny pines roped in twine, were stacked on top of one another, looking more like a pile of hostages than Christmas trees.

I could imagine the flat line of disappointment in the kid’s eyes if we brought home one of those trees. Lord knows I was pretty familiar with that “let down” feeling myself, praying every night that my perverted stepfather would disappear from my life, only to find him at the breakfast table each morning fresh-faced and ready to rule the roost. I piped up, forcing out my words in big steamy breaths, “These trees are pathetic, Alberta. You guys need a pretty tree to go with that nice house of yours.”

There house was nice—on the outside, but on the inside it was as stark as a cell. Alberta wandered over to a “pretty” tree and lifted a branch, meeting it with her nose and sniffing as one sniffs a rose. I held my breath, afraid of breaking the spell. Dropping the bough, she hollered over her shoulder, “What’s this one cost?”

Alberta wasn’t a girly girl, she wore her hair pulled into a tight ponytail, carried a wallet like a dude, and had one eye that traveled, so you were never certain what she was looking at. She jingled the change in her jeans pocket, waiting for an answer.

“Oh that there’s a Blue Spruce, came all the way from Colorado. That one will cost you twelve bucks.”

“Twelve bucks for a tree on Christmas Eve? You’ll be burning them by morning. I’ll give you six.”

The man shuffled over to Alberta, and lit his already smoldering cigar, sucking and puffing, creating such a cloud that his head disappeared altogether.

“I’ll give it to you for eight, but that doesn’t include rope or me helping you tie it to your car.”

Alberta flipped open her wallet and lifted a perfect tenner out, handing it over to Mr. Cigar Face. He snagged the bill and quickly added it to an ample roll of green, handing her back two ones. “You might want to get your husband over here to help you…” But before he could finish his sentence, Alberta had already lifted the tree and was heading out, with me running behind.

It sure was a beauty, with thick fragrant branches, smelling like every kind of holiday happiness a kid could imagine. I took the light end while Alberta held onto the thickest part of the trunk. We made pretty good progress trudging through the snow along Main Street, passing store after store, their windows burning with holiday temptations, until Alberta’s good eye fixed itself on a neon sign, advertising that Archie’s Tavern was open for business on Christmas Eve.

The tree train stopped abruptly with an announcement from Alberta; “We’ll hoist the tree up here in this doorway, and go get a quick night cap. It will be our little secret.” And then she winked at me, sealing my fate as her co-conspirator.

The floor creaked as Alberta led the way through a section of small tables. Heads turned and nodded as she found us seats at the end of the bar. I felt as though I had entered a secret society where serious drinkers, perched like a sullen flock, drowned their troubles in booze. I had to fight the urge to spin on my barstool.

Alberta sipped her whiskey, half listening, as a guy sitting on her other side slur-whispered into her ear. I drank my Coke, glad to be on the end where no one could sit next to me.

A black haired lady in a red sequin dress was busy plunking nickels into the jukebox. Her rump shook to the music like a shimmery lure, drawing a skinny guy from the crowd who pulled her into a slow dance. I strained to focus my eyes, trying to see her face, imagining pretty, but instead finding the face of an old hag fit for handing out poison apples. My stomach twisted as my mind tried to adjust to what it was seeing, and I wondered if she knew what she looked like to everyone else, or if she even cared…if anyone cared. This was a different Christmas.

We made it back to Alberta’s by eight, leaving us plenty of time to decorate. Rob was passed out on the sofa, the kids were in bed, and the only creature stirring was Ranger, licking his bowl clean in the kitchen.

Wilson Pickett’s voice scratched over the hi-fi as we strung lights, and tossed tinsel. We worked like frenzied elves on deadline. Finally finished, Alberta plugged in the tree and shut off the lamp. I had to catch my breath because of the beauty of it—the icy shimmer of Christmas reflected off the tinsel—dancing over everything, including Rob’s sleeping face, transforming their harsh living room in sugar plum softness.

We rushed outside in our stocking feet to catch a glimpse of the tree through the window. It was Rockwellian perfect, fit for a holiday postcard. Alberta smiled at the warm vision she had created, and whispered, "Let's go wake up the kids."

I remember Alberta loading her arms with the three youngest, while I tugged at droopy limbs and whispered, “Come see”. We half-circled the tree, the children’s eyes wide, their voices hushed with wonder.

I could sense the spirit of Christmas standing there with us—the joy, the togetherness, and even though it was temporary, and things would surely go back to normal, Christmas was visiting the Hazard family, waking up little hearts to the message of divine love, and the magic of hope, and change.

The Hazard’s left their tree up until January 22nd that year. Alberta begrudgingly agreed to take it down because Rob said it was a fire hazard. The next two years they had beautiful trees decorated well before Christmas Eve, after that they moved away and I lost track of them.

I like to imagine that the Hazard children grew up and created memorable Christmases for their own families, and that my childlike input on that snowy, tree-buying Christmas Eve, was enough to make a difference for generations of Hazards to come.

It’s always the little things isn’t it?

ELR wishes all our friends a very Merry Christmas, a Happy Chanukah, and a most Happy New Year.

May the blessings we wish for be the blessings we give.

.

.

As a Christmas special, my novel, Cosette’s Tribe, will remain on sale for just 99¢ on Amazon or Barnes & Noble.

Tuesday, November 26, 2013

Easy as Tiddlywinks

In seeking to write about Thanksgiving I found myself reaching back to the dim corners of yesterday, uncovering a misty vision of “little me” waiting in my crib for Ma to come and fetch me. I was standing on my toes holding onto the rail, bouncing as I begged, calling, but not crying. And then she appeared—wearing a smile as wide as an open window. With out stretched arms she gathered me up, and toted me off. I don’t remember where she took me, perhaps for a diaper change, but I was ecstatic, and if I had had a tail I’d of surely wagged it. I was grateful to have her all to myself—Ma—the beautiful, who ordered my world like a green-stamp goddess, keeping me fed, fresh-faced, and hugged. Always hugged.

Back in my crib days it was as easy as Tiddlywinks to experience gratitude. Today it takes a bit of grown-up focus and plenty of practice, but like the opening of an oyster, the effort often presents luminous rewards.

I hope that you discover enough blessedness within each ordinary moment to ignite blazes of gratitude in your heart, your life, and the lives of those around you.

Happy Thanksgiving my good friends!

.

P.S. Cosette’s Tribe will remain 99¢ until the end of November! I am extremely close to my goal of 1,000 downloads in November (34 away). Please help me to reach that goal by purchasing from Amazon or Barnes & Noble.

Thursday, January 17, 2013

My Next Big Thing!

My Next Big Thing!

Laine Cunningham, recipient of two national awards for her novel, Message Stick, tagged me for a blog hop called “My Next Big Thing.” Laine posted on her current project, Buy Light and Purple Blooms. Check out her full blog post by clicking here.

Everyone in the blog hop answered ten questions about their latest projects. Laine’s describes Buy Light and Purple Blooms as a women’s thriller. "That is, the story is primarily a woman’s story yet it has some of the same elements as thrillers."

At the bottom of this post, you’ll see the writers I’ve tagged so far. I will be adding more writers throughout the month of January. Hop along to read about more great plans in the works!

My next big thing is a continuation of my first novel, Cosette’s Tribe. Readers have fallen in love with young Cosette and are craving more. I originally intended to write a continuation on the story so I guess this means that both author and reader are on the same page.

Here are the questions:
1. What is the working title of your book or project?

This book is a continuation of my first novel, Cosette’s Tribe. It remains untitled so far but I have a few ideas.

2. Where did the idea come from for the book or project?

The readers of Cosette’s Tribe have become quite invested in her outcome with many requests for a sequel. I had originally intended to write two books about Cosette, her early years and her life as an adult. This book starts when she is 14. I’m still not certain where it will end.

3. What genre does it fall under, if any?

It could fall under many genres, but the most obvious would be literary fiction. It is a coming of age story, which could also fall under general fiction or women’s fiction.

4. If applicable, whom would you choose to play your characters in a movie?

I know very few young actresses so I guess it would be best to leave this to the casting agents.

5. What is the one-sentence synopsis of your manuscript or project?

Desperate to leave an abusive home life, 14 year-old Cosette challenges the world, risking everything to find the answers to life’s most critical questions.

6. Will your book or story be self-published or represented by an agency?

Although seeking an agent’s representation, I am very comfortable with self-publishing this project.

7. How long did it take you to write the first draft of your manuscript?

I am still working on the first draft. So far I have invested a little over a year on this project.

8. What other book or stories would you compare this story to within the genre?

This Boy’s Life, an adaptation to a memoir of the same name by Tobias Wolff, has a similar nitty-gritty vibe and flow as Cosette’s story. I can’t think of a story within the genre of fiction that I would compare my project to.

9. Who or what inspired you to write this book or story?

I have been carrying this story with me my entire life. Much of it is inspired by my experiences as a teen.

10. What else about the book or story might pique the reader’s interest?

The setting takes place in a small New England city back in the 1960s-70s. Readers have expressed an intense emotional investment in book one, Cosette’s Tribe, stating that it takes them back to the streets of their own youth. This project, book two, will challenge readers to believe in the magic of serendipity and experience, as they bite their nails down to the quick, hoping for things to turn out well for young Cosette.

Leah Griffith's novel, Cosette’s Tribe, is now available on Amazon, B&N, and also offering signed copies from here.

Laine Cunningham:
Author of several books
Publishing Consultant
Quoted on CNN and Media Bistro
Winner of five national awards
Visit Laine’s blog here.

Laine’s latest book, Seven Sisters is available on Amazon now!

Marie Nikodem Loerzel will be posting after her return from travel next week. Visit Marie’s blog, Rock The Kasbah here.

Saturday, April 28, 2012

Purposeful Vulnerability

It’s been a whirlwind of a week with the release of my novel, Cosette’s Tribe, and a surprise visit from my daughter and granddaughter from NC. And then on top of that, I was honored with a surprise launch party, sneakily hatched by my two beautiful daughters!

With all these amazing events I’ve felt the steady hug of support from friends and family and the relief of finally sending Cosette on her way. And now Cosette, equipped with an unflappable voice of her own, will find her readers amongst the noisy populace—ready hearts prepared for her tale.

Releasing a work of art is more complicated than I had imagined. I’d been so busy, for so long, with all the tedious publishing details that I wasn’t prepared for the emotional punch that came after the release of Cosette’s Tribe— That was the biggest surprise of all.

My novel was written from a place of healing and light, but in order to write it I had to visit a land of shadows, a place where cherry-cheeked little girls faceoff with villains disguised as good daddy neighbors, and although Cosette’s Tribe is a work of fiction, in many ways Cosette’s steps parallel my own childhood journey. So, when releasing this work I found myself feeling—a bit exposed and vulnerable.

But isn’t that how art is suppose to be—intimate and honest, touching the hidden places and waking them up; inspiring us to see more than the obvious. In sharing this work I’m sharing a part of who I am—what I’ve seen and learned, performing a sort of spiritual alchemy by taking the base things in my life and transforming them into something precious—redemption through art.

I’m smiling now because I know that it’s true, and that my vulnerability is bold and purposeful. I have done it and it is good.

I envision you sitting in your favorite chair, with my novel in hand, escaping for a moment from the clamor and demands of your life. It is my heart’s desire that the valuable time that you take away from your busy schedules in order to read Cosette’s Tribe will be entertaining, rich, and illuminating.

I want to thank all of you for making this launch such a success. Cosette’s Tribe is selling very well. Your love, support, and encouragement over the last year has been inspiring and remarkable.

An e-book is in the works and my website will be up and running in no time. Again, thank you. You guys are a treasure!

Anna Nalick, says it best in her song, Breathe:
“And I feel like I’m naked in front of the crowd
Cause these words are my diary, screaming out loud
And I know that you’ll use them, however you want to.”

I chose this song, Shine, because it just seemed appropriate;)